"A perfect hour in a parallel universe"...
"Special & poignant"... "So eclectic and engaging, great concert"
"An important contribution to the musical life of the area.' [Robert Fripp]
A monthly feast of soul-food since Sept 2017,
'Pianoscapes' continues to unite wide-ranging repertoire with music-hungry listeners.
"Great concert on Sunday, moved to tears... can't remember when that happened before!"
"The hour of relaxation and beautiful music was so lovely on Sunday that I had my best night's sleep in months"
"These concerts are beautiful, and a real education... do go along if you can."
"I just wanted to thank you for such an uplifting and enjoyable event. I hadn't appreciated just how much I have missed hearing music performed live. It has nourished my soul!"
'Pianoscapes' continues to unite wide-ranging repertoire with music-hungry listeners.
"Great concert on Sunday, moved to tears... can't remember when that happened before!"
"The hour of relaxation and beautiful music was so lovely on Sunday that I had my best night's sleep in months"
"These concerts are beautiful, and a real education... do go along if you can."
"I just wanted to thank you for such an uplifting and enjoyable event. I hadn't appreciated just how much I have missed hearing music performed live. It has nourished my soul!"
A 'Pianoscapes' concert is a 60-minute sonic odyssey taking in an eclectic mix of music from across the centuries, with a healthy disregard for genre boundaries. Using piano, synths, loops, oracle cards, tea & cake, every concert programme is different: a carefully-constructed sequence of music designed to transport the listener to a higher plane.
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Pianoscapes #54
Sunday 29th January 2023
Admission: £10
For tickets: email [email protected]
For Pianoscapes 54, I'm working on - amongst other things - music by the Ukrainian composer Vsevolod Zaderatsky - in particular, the Am prelude from his '24 Preludes and Fugues' written in 1937/38.
The story is fascinating...
A more detailed account can be read here (click on this link) - mountdela.com/vsevolod-zaderatsky-24-preludes-fugues-piano/
Other Pianoscapes dates in spring / summer 2023 -
March 26, April 23rd, May 21st, July 16th
The recent(ish) past -
10th August -
The score for 'Patterns of Plants', on order from Japan since the end of May, has arrived a few hours ago - just in time! as we're off to Ireland in 2 days time. It will come with me and be on the music stand as we tour the West Coast... This, alongside other Japanese-inspired music (by Peter Sculthorpe), and music for early instruments... Jarrett's 'Book of Ways' (more of my transcriptions), and Beethoven's 'Pathetique' - I've been playing this since I was in my teens but the time has finally come to work on it properly. I'm particularly intrigued by the fact that it was composed for either harpsichord or fortepiano - to hear it on the former and to think of it as straddling the late Baroque and early Romantic period in that way (it first appeared in 1799) is a revelation. This will inform my learning and interpretation of the music. Pianoscapes 50 will also feature some Irish music, of course - perhaps my 1989 version of the trad tune 'The Burren', as recorded here - |
O l d e r N e w s -
In April's concert I'll be playing Books 3 & 4 of Mompou's 'Musica Callada' (having played Books 1 & 2 in February's concert).
This rarely performed work is music of great beauty and mystery. Rejecting the complexity and modernist approaches of his contemporaries, Mompou's final work was his 'magnum opus' - this 'music of silence' - transparent, hypnotic, profound; drawing on the sound world of Debussy, Satie, Scriabin and his own sonic palette of bell-sounds, folk melody and strange abstractions.
This rarely performed work is music of great beauty and mystery. Rejecting the complexity and modernist approaches of his contemporaries, Mompou's final work was his 'magnum opus' - this 'music of silence' - transparent, hypnotic, profound; drawing on the sound world of Debussy, Satie, Scriabin and his own sonic palette of bell-sounds, folk melody and strange abstractions.
In addition to the music of Mompou I'll be playing works that complement the contemplative nature of this music - 'To sober and quiet the mind', as John Cage wrote. The February programme included my own compositions, a prelude by Scriabin,
and improvisations realised through Indian raga and electronics...
Unlike other pianoscapes concerts, I won't be speaking this time! - the experience will be a purely musical one in which to immerse yourself.
You can familiarise yourself with Musica Callada by listening to James Rushford's performance here -
unseenworlds.bandcamp.com/album/m-sica-callada-see-the-welter
I recommend experiencing the 28 pieces in 4 listening sessions, as they were intended when written:
Book 1: I - IX
Book 2: X - XVI
Book 3: XVII - XXI
Book 4: XXII - XXVIII
and improvisations realised through Indian raga and electronics...
Unlike other pianoscapes concerts, I won't be speaking this time! - the experience will be a purely musical one in which to immerse yourself.
You can familiarise yourself with Musica Callada by listening to James Rushford's performance here -
unseenworlds.bandcamp.com/album/m-sica-callada-see-the-welter
I recommend experiencing the 28 pieces in 4 listening sessions, as they were intended when written:
Book 1: I - IX
Book 2: X - XVI
Book 3: XVII - XXI
Book 4: XXII - XXVIII